Let's do a little silent film 101 and who better to speak about the silent screen than historian Fritzi Kramer? ), Lucky Me: My Life With – And Without – My Mother, Shirley MacLaine, http://thegreatkh.blogspot.co.uk/2012/05/communities-of-women-how-hepburn-passes.html, Complicated Women: Sex and Power in Pre-Code Hollywood |, Summer Under the Stars Blogathon: Day 10 – Joan Crawford |, #97: The Rocky Horror Picture Show (1975 with Scott Michaels), #96: Interview With Actress Carroll Baker, #94: Marlene Dietrich, Grand Dame of Moviedom, https://c6.patreon.com/becomePatronButton.bundle.js, Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. Okay, puppy, five minutes to shop the first floor. I found that to be a far kinder depiction of female communities than this film; maybe because this film deals with the rich where Stage Door didn’t? I was pretty disappointed in The Women and the recent remake isn’t much better. It’s obvious Crystal is meant to be the new type of woman who doesn’t like children or romance, but come on! It's okay, sweetie. With Norma Shearer, Joan Crawford, Rosalind Russell, Mary Boland. more…, All Diane English scripts | Diane English Scripts. 3 Nov. 2020. They are also unified by the suicide of one of their own. In the 1930's New York women who could afford it went to Nevada, where residency could be established quickly and divorce was relatively easy. Sylvia picks up the phone and hears the voice of Crystal's lover. 0000001212 00000 n 1930s, Academy Awards, classic, comedy, drama, Hollywood, Journeys in Classic Film, Oscars, Remake, Romance, sex, TCM, Turner Classic Movies, women. Sylvia eagerly shares the news with Mary's friends and sets Mary up with Olga. 60-41 | 40-21 | 20-1. Mary's divorce comes through, but Miriam tries to convince her that she should forget her pride and call Stephen. [2] In March 1938, Norma Shearer and Carole Lombard were in negotiations to star. I think that some of the problems you mention (the mismatch of tones among the different segments, the dated material, the fashion show, etc.) It’s easy to see Sylvia’s jealousy of Mary. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. Mary's cousin Sylvia Fowler goes to Sydney's elite salon to get the latest nail color: Jungle Red. BTW, I cannot tell you what a thrill it is to hear you refer to STAGE DOOR as a community of women! Browse Memorable Film Quotes from The Women (1939) (p1) at Classic Movie Hub (CMH). The New York Times reported on Cukor's strategies for managing a cast of 135 women led by three famously demanding stars. Read, review and discuss the entire 8 Women movie script by François Ozon on Scripts.com This shopping feature will continue to load items when the Enter key is pressed. Dramatists Play Service, Inc. (January 1, 1998), Reviewed in the United States on February 21, 2019. Also at one point, two characters are talking as the main character is outside supposedly fighting with her husband. Fade In: OPENING TITLE SEQUENCE 1 EXT. Mary Haines (Shearer) discovers that her husband is having an affair with perfume counter girl Crystal Allen (Crawford). If you use the handy link below a small portion will be donated to this site! IBDB (Internet Broadway Database) archive is the official database for Broadway theatre information. There’s no sense of community here in The Women. Directed by George Cukor. I think the fact that they are professional women who have been marginalized, as a group outside of society, forces them into comaradery. Did anyone get shades of Mommie Dearest when Crystal told Little Mary to call her “Auntie Crystal?” The relationship with Little Mary could have been murderous if this was in another genre. In January 1937, producers Harry M. Goetz and Max Gordon bought the film rights to the play for $125,000 and planned on turning it into a Claudette Colbert vehicle, with Gregory LaCava as the director. New York Times critic Frank Nugent agreed with this assessment. I’m all for fighting for a man and I’ve seen infidelity ravage a family. Go. Reviewed in the United States on February 11, 2018. Russell is good, even though I found her character to be contemptible. The eponymous women are all despicable, with the exception of benevolent Mary Haines (Norma Shearer); and while they’re all funny it’s isn’t doing much to say that women aren’t catty, back-stabbing bitches. The second feels like a Stage Door throwback with the Reno community of women. The 1939 film, starring Norma Shearer, Paulette Goddard, Rosalind Russell, and Joan Crawford, was a hit. Women stayed with their husbands because they had no means of making a living, needed a father for their children and/or they couldn't face the social stigma of being divorced.
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