Tonally, it was a rather deft blend of drama and comedy, along with some surprisingly suggestive dialogue at times. If you go into it expecting Hollywood, you quite possibly will be disappointed, but if you go into it realizing that it's a film made in Africa 15 years ago, you can probably appreciate it more. Very funny and entertaining slice of African life. Reviewed in the United States on January 25, 2013. She also shows them how to be strong, intelligent young people who do not fall into the traps she fell into. I've never had such powerful urge to clap for a film, shout and clap, cheer for the simple brilliance and power that a film can posses. This was a class requirement, but I am soooo glad I got it. Now are blowing new winds. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. As a snapshot of Senegal, what this film tells me is amazing. It's a second home to me. so mesmerizing in how it shows us Kiné's prideful success and happiness as she engages in pleasures previously only known by the men who made her life impossible, she never gives into their control. It's steeped in culture but possesses Sembene's signature universality and a distinct punch toward corporate sexism. Faat Kiné has noble intentions as a commentary on and criticism of post-colonial Senegalese society, particularly regarding attitudes to women and AIDS. Sembene's gift for gesture and movement, of capturing small bits of sensual existance remains sharp as well. As often the case in his work, he has such great satiric eye whose comic gaze remains criytical but in such na off-handed manner. Venus Seye Mame Ndoumbé Diop Ndiagne Dia Mariama Balde Awa Sene Sarr Tabata Ndiaye, 120 mins It's another important African film. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. One of Sembene's absolute best films. A great movie about African women, their beautiful, supportive relationships with each other, and their everyday acts of rebellion against the fuckery of misogynistic men. We started with Ousmane Sembène and I concluding my week with his film as well. Select the department you want to search in. For all of the fuss being raised about the lack of good roles for women in Hollywood, Ousmane Sembene certainly didn't have that problem here. I have to write a paper in french analyzing an aspect of this film. Reviewed in the United States on May 27, 2016. All of these facts are important to know when considering the film. Firstly, this film was so beautiful with regards to the colours. Sally Jane Black 370 films 826 69 Edit, Movies with either a feminist message, feminist elements, or relative feminism, which is to say, given their context (genre, era,…. [The Money Order. This is my favorite Senegalese film. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Made by fans in Auckland, New Zealand. "It's Mission Impossible!" Video availability outside of United States varies. thanks for this review, it was helpful. Faat Kiné has noble intentions as a commentary on and criticism of post-colonial Senegalese society, particularly regarding attitudes to women and AIDS. Story-wise it feels like a film from Ozu but the way everything is brought alive and compressed to themes is pure Sembene. i wish all his films could be digitally remastered bc it rly is so beautiful!!! Although gender roles in a highly conservative, religious society is the primary focus, Sembene also finds the time to occasionally comment on politics, the colonial issue and, in a fashion similar to MANDABI, makes his most important points in the final scenes. The undermining theme of Faat Kine is the struggle to achieve women rights in Senegal and the effects of post colonialism… Faat Kine' and Moolaade Introduction Ousmane Sembene's oeuvre, in many ways, grants African feminism a legitimacy of its own, denying recurrent attempts to fit it within valorized, largely Western, templates for liberation. In French with English subtitles] —. especially for women. FAAT KINE is by legendary Senegalese filmmaker Ousmane Sembene, who directed one of the other Senegalese films I saw, MANDABI. It’s also beautifully shot, with colors bursting in every scene. Venus Seye's Faat Kiné is a wonderful character that remains always in the center of things even when she seems deceptive pushed aside. that avoids the god eye of the judgemental auteur. What is valued now is an independent mindset along with a strong devotion to country, i.e., they can't keep living in the shadow of their colonial past and must embrace the hybrid culture which emerged from their independence as a nation. I lived in Senegal for 7 years. La noire de… (1966). 2001 More details at The acting was a bit stiff at times, but I can't hold that against the film too much. Uploaded quickly and clearly for my college class. Umgidi (Shadow Dancing) Si-Gueriki (“The Queen Mother”) Long Night’s Journey into Day: South Africa’s Search for … Report this film. In contrast to Xala - where the entrepreneur is a likable but corrupt guy - the hero of Faat Kine is a proud hard-working woman with ambition. © Letterboxd Limited. A forty-year-old woman refuses to give into the stigma of unwed motherhood and climbs the ladder of success in a male dominated field. Overall, I know this won't be to everyone's tastes, but for those adventurous few who enjoy foreign films this should prove to be a valuable cultural experience. To. There’s a subplot that’s basically the parent trap, gabriel guimarães? Great character if na even stroonger performance. THEME: On the Margins. THEME: Traditions. The opposition between Muslims and Catholics is very important because it is the initial problem preventing Kine and Jean from marrying. While MANDABI lamented the loss of traditional Senegalese cultural attitudes and the lingering effects of colonialism in a post-colonial society, FAAT KINE displays a more mature and evolved perspective on what Senegalese society has become and can be. half a star off for making me look at feet way too long at the end . In the end it was her son that put his father in his rightful place about "how he didn't raise him and was trying to take that title away from his mother". Cinema Around the World: Senegal (Part 2). This was a wonderful film about a single mother in Senegal whose grown children try to find her a husband. swinging back and forth between her crushing past and the promising future of her children, Sembene depicts a woman's journey through a tunnel that never seemed to show her a light. Faat Kine (2000) [French/Wolof] —. The only legitimate fault I can find is that maybe the film was a little too long, and they could have cut back on the flashbacks. One of the most interesting characters and stories that I have seen in a while. The film provides a critical look at the post-colonial Senegal and women's place in it. You are the embryo of free market neo-colonialism. There is also a Wolof version with English subtitles] They reject the traditions that allowed her to be robbed and oppressed, and they find their own paths to empowerment. "Faat-Kine" is the welcome return of the master Senegalese filmmaker Ousmane Sembene, with his first film in nearly 20 years. She is also very human - lots of baggage to get past. This…, this list began because i was writing a piece for my university's feminist magazine on intersectional feminist films but i…. Reviewed in the United States on July 30, 2016. Granted, I wouldn’t say I have the best knowledge of geography, but I didn’t even know that the small country was in Africa, let alone one that had been colonized by the French and liberated fifty years ago. Another excellent film by the "Father of African cinema" Ousmane Sembene, Reviewed in the United States on April 26, 2014. This is…. This movie goes o the lost of best insult ever. It shows how one woman can accomplish life without having to be married (especially to the wrong man) and that a female can raise her two children and put them in school to better their lives for their future. Guelwaar (1992). Mandabi (1968). When Kine’s son Djib confronts his and his sister Aby’s fathers, he denies the power of the paternalistic Africa of old, and embraces the matriarchy that has produced him, the society of women that will help to develop the new Africa. I later looked him up and he had said a few things, but one struck me: "The development…. However posers living on credit get their due. I watched this through Kanopy, which is basically like Netflix except it’s *free* and features a shitload of African and other international films—all you need is a library card! When I first learned that we would be watching a Senegalese film, I was happy with the prospect of learning something about another culture, but truly had no idea where in the world Senegal was. But she really doesn't need one. In the interest of being forthcoming, I will admit that I have very little experience with African films, only having seen two of them prior to watching this one (thanks to a World Cinema course I took this semester). But I learnt an awful lot about his views on feminism through his characters and topics. Watch. Cinema. Travelling or based outside United States? The Ultimate Film Canon: 21st Century (2001-2020), Scenes from the Class Struggle on Celluloid: A Watchlist, The Most Obscure Movie Recommendations List Ever. The dawn of the new century, the first 20 years. Kine, who was born in the year that Senegal gained independence from France, belongs to a sort of middle-generation which holds onto some colonial understandings of social oppression, but also has begun to embrace the international influences of neo-colonialism; Kine has somewhat loose morals which cause problems with her parents, but is unwilling to accept foreign money at her gas station, representing Senegal’s old mistrust for its European oppressors. Now I can't say that every…. There's a problem loading this menu right now. is the true peak of cinéma. ), this was very enjoyable plus i love listening to wolof, i am going to watch every sembene movie this is so so good. According to the Associated Content review of Faat Kine, “Sembène has mentioned himself that ‘Africa can’t develop without the participation of her women.’”Kine serves as a powerful representation of a strong African woman in the film. Need. I. In Faat Kine, Ousmane Sembene, the unquestioned father of African cinema, calls his fellow Africans to a reckoning of the post-independence era at the beginning of a new century. This film centers around a woman, matriarch of a family who navigates middle-class comfortable life at Dakar at the turn of the 21st century. (I swear I’m not sponsored, I just really like their service lol. Kiné is my new role model. Faat Kine, as John Mowitt states in “Retakes” is a reconfiguration of Sembene’s previous film Xala, but instead of using a male’s sexual impotency as a metaphor of financial impotency, Faat Kine uses a female’s polyandry and swinging tendencies as a sign of potency and novel change within contemporary Senegalese society. I was not aware of anything about him beyond knowing he's a legend.
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