I came here looking for an answer to my question and I’m not sure I found it yet., so here goes. It’s not entirely InDesign’s fault. The default selection of gradients is not very useful for our purposes. Yes, if it was a photoshop file with layers flattening will reduce size, but if not try saving as an optimized pdf or redued size pdf. To crop the advert to the client’s supplied crop marks, 2. Blending modes in Photoshop give you unique ways to combine and overlap images. Place to crop box. There is a Simulate Overprint option in the export PDF dialog box; maybe that’s what they’re talking about, but I doubt it. I’m make a product wrapping and designing the layout. You can see why I recommend that people using spot colors turn this on and leave it on while they work. 11. Is this true? I would like to get the silver foil getting through the outlines of some objects. And what can I do to prevent disappearing elements on my side? The only work-around MIGHT be to import into a LAB colorspace, but why open in Photoshop at all? How do I specify a colour that is 50% of two different Pantones? This happens both onscreen and in the printed output.
However, in this case, the designer stumbled on a very different limitation of InDesign: the software’s handling of spot colors and transparency effects.
Go to the FILE menu > PLACE and select Fashion Portrait.PSD. Hi, this article really interests me, but my question has nothing to do with InDesign. The example shown in this story should not be any trouble to print on a commercial press with spots.
I left work tonight thinking ‘How the hell am I going to do this?’ And now I know. Save and export your overlay image as a PNG, JPG, or other file formats. For best results, start with high-contrast images with distinct light and dark areas.
@Nikki: No, the Overprint Preview settings have no effect on how a PDF is exported. To do that, choose Image > Mode > Duotone, then click on the ink swatch and pick the spot color you want to use. (Though it depends on the inks–some thick spot colors don’t tint well, so check with your printer.).
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My guess on the teddy bear is that the white in the eyes was set to overprint. Begin your project by opening your base image.
I wouldn’t say it’s the “best” solution – I’d probably make a gray version, 1200ppi, with levels setting the darkest point to 100% and possibly changing it to a darker PMS – but I think it would work. The image, as it exists now, uses a full range of color and will have a hard time blending well with the graphic in InDesign. The client had designed an identity package (letterhead, envelope, and so on) that was beautiful but completely unprintable. Join for free today! There are other solutions, such as recreating objects in Illustrator, but you’ll still have the same basic limitation: You can’t make an ink any darker than it is, no matter how much of that ink you overlay. Interesting article. Combining multiple images into one frame is easier than ever with apps like Photoshop. There is no doubt that spot colors can help you achieve striking, effective designs. That’s superb, David. No, I think Don has a point. 12. Some spot colors are difficult, or even impossible to represent properly on screen. Excellent stuff – many thanks for your help.
They output as separate plates, and you can get upwards of 300% coverage where they overlap.
Never a boring presentation ye shall make. (The image is sized to 8.5″ x 11?” so it will fill up the entirety of the page with one click.) Here are several solutions to remember should you ever find yourself in a similar boat. To add more options click on the Gradient Thumbnail in the Properties Panel and then click on the Gear icon at the top of the Gradient Editor window, from the list select Photographic Toning and then Append your list of gradients. IMHO not checking an InDesign file using either the overprint preview or toggling the separations on/off PRIOR to submitting to the printer is a cardinal sin. Replace the background of your images with this quick tutorial on transparency. 8. Selecting a region changes the language and/or content on Adobe.com. Another reason I’m taking it into Photoshop is to change the colour profile to ISO Coated v2 (ECI). Combining tints of two different inks can have darker results. View it in Acrobat using output preview first to see if it is correct before assuming it is not. Use layer masks to block out the areas in the image you want to be transparent. What about simply copying the spot channel in ID, and applying the duplicate swatch to subsequent objects?
But of course, that ignores the fact that if you’re paying for a spot color job like this, you’re almost certainly using 100% of the spot color ink elsewhere (like type or other solids), and you’d get the too-dark version there.
The default on almost every application (excluding Photshop) is that text will be k=100. How-tos, tips and tricks, and more. Place the image in InDesign, check “show import options”. Experiment with different blend modes and adjust the opacity of your images to find the right effect. Before clicking OK, we will modify the Gradient so that we ensure the brightest tones aren’t completely white, this will help the text graphic stand out in InDesign, slide the 4th gradient stop from the left over to the right to the 90% location. When you turn on overprint preview, InDesign suddenly wakes up and shows you an accurate preview. Stock template of Multipurpose Social Media Layouts with Color Overlays. Typically I did this with a mixed ink swatch in ID – a combination of the spot color and a copy of the same spot color. Join for free today! The image, as it exists now, uses a full range of color … Since this technique leaves you with a rasterized (pixel-based) image, you lose your sharp-edged vectors. @ck: I think you’re either confused or… confused. Throwing the art in photoshop and converting profile is one way to ensure that your ink percentages will be wrong and that you will have to fix them, as it first converts to LAB then to your cmyk based on what it thinks it should look like. By stacking multiple images, photos, or designs, you can create something new and unique. @Rhiannon: Oh, I see the point now — the darkest part of the image would be 100% of the darker spot color, and everything else would be a tint. 2. 11. Download the typeface Montserrat Black from this link and install it. But in the real world, an orange ink overprinting on top of the same orange ink simply cannot result in a darker orange ink: Unfortunately, InDesign doesn’t usually know that. If you overlap spot colors, some areas get darker and bolder onscreen. 9. If you are looking to lower the resolution, you can always downsample on export or print. You then copy and paste in front, filling this second object with another spot color, say Pantone Rubine Red C. If you leave the blending mode set to normal the red rectangle completely blocks out the blue rectangle, even if you reduce the opacity to 0%, but if you set the blending mode to multiply the combination of the two colors creates purple/violet (you can adjust the opacity slider to create multiple/different shades of purple/violet). Having said that I don’t work in newsprint someone else could probably answer this better. Then it’s easy to decide what’s blended and what’s not blended. Click OK. After logging in you can close it and return to this page. Overprinting
Spot colors are more opaque than process colors, and in the case of this particular job, the designer actually overlapped a single spot ink color on itself. Note I said InDesign usually doesn’t know that the colors can’t get darker. I want to be able to use opacity i.e.
Using a darker color (if you’re printing with one spot color) obviously won’t fix it. Transform photos with image overlays. Download and open this image in Photoshop. Select the Text frame with the Selection Tool (Black Arrow) and then go to the TYPE menu > CREATE OUTLINES. If I were your client, I would be really upset if you did that to my PDF! I want to solve this by only using CSS. Add blur to a photo to enhance focus, decrease background noise, add movement, or play with color. Are the two colors actually merging creating a third spot color, or is the new color only the appearance of the same two spot colors side by side, which can then be separated? Change the Blend Mode to Overlay and the Opacity to 50%. 10. Rather, I’m designing artwork using Illustrator for screen printing purposes and have a question concerning the multiply blend mode. I would like to use the multiply blend mode to add color to my artwork without having to introduce new spot colors, is it possible to do it in this manner? Experiment with blending modes. The blend mode is set to Normal by default, and if you adjust the opacity of your image, you can blend the layers. Get total control over your blending and overlay images with layer masks and transparency settings. The size of the pdf’s are usually quite large – saving them as flattened files makes them much smaller in file size – this helps when we are placing up to 32 adverts on one magazine spread in Indesign. Understanding the effect of each blending mode on your base color will help you get just the look you want in your final image. It will create an Instagram style filter effect. In this case, one object gets the spot swatch, another spot_Copy, another spot_Copy2, etc. How-tos, tips and tricks and more. First, you could convert the spot color to a process color with InDesign’s Ink Manager. But spot colors have a dark underside, too; a not-so-obvious behavior that needs to be understood or else it can bite you.
Save the file as a PSD file and place it in InDesign, replacing the original objects. I work at a publishing house. As I have worked in prepress for many years, I have seen this issue several times and got back to the designer with very simple answer: print is not digital, and one law of color is that darker always overpower the lighter but not add. Some of our advertisers are supplying print-ready artwork in PDF format and when I take it into photoshop to flatten it, some of the elements from their PDF disappear.
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