Infographic of Althea name meaning, which is “The healer,” from the Greek althai- nein, to heal. I told Althea that treachery was tearing me limb from limb. [Verse] And a little sympathy Althea told me, okay, that's fine, so now I'm trying to catch her. RH: You evoke her, you don't say what she is. For me, this is another one of those songs I just can't get enough of. (#1 reason chasing a guy NEVER works), It's the message of Get Out of Your Own Head and start living! But what the hell - Hamlet's my favorite play, and I'm always up for hearing bits of it again. I know, it’s complicated—go read the entire story—but it does seem kind of amazing that Althea, the mythological character, has this two-sided relationship with her own son. Unable to process your request at this time. Song. Or why they stopped playing Friend of the Devil with a fast pace. Not sure this illuminates anything much, but here's the very small portion of my 1991 Golden Road interview with Garcia and Hunter about the song. I can confirm the cosmic occurrence referenced in handjive's post. I thoroughly enjoyed the perspectives here, and have more ammo for the next campfire. Friday's child is loving and giving, I told Althea I was feeling lost, lacking in some direction. I look forward to reading more of your project. The interesting part is how Hunter transfers the contemplation of suicide (sleep perchance to dream) from Hamlet to Ophelia. (Yes, I think moreso than even Stella Blue or Wharf Rat.) Maybe it's not just men but I can't tell you how many times a guy has said they want a break, or let's just be friends, or just been non-responsive, only to do a 180 when I've moved on... & Company, Under Althea told me: now cool down boy IT's a special song for me and just trying to learn all I can about the history from the beginning. The love is the thing. When Healths and draughts go free, Althaea’s two-sided nature in the Greek myth presents a potential for symbolism within these lyrics, considering lines like “Baby, don’t get burned.” The symbolism would suggest that this seemingly pointed two-person dialogue between the narrator and an understanding, caring woman is more of a glimpse into the mind of a woman with self-serving motives. If I had to be pinned down and answer "my favorite Grateful Dead song is..." like most of us, it would be a Collection of songs, not just one. Oh well, fantastic song and such a great, hook-filled tune. About 30 years ago, during my early listening/concert attendance of the Dead, a good friend and I had different perceptions of a certain line in the song- I insisted it went, "You may be a clown in the burying ground or just another pretty face," and he (who generally would have been right about these things) insisted it was "cloud in the burying ground." More, Recreation & I tormented myself for two years trying "to catch her". You may be Saturday's child, all alone, moving with a tinge of grace. Self centered to the Extreme I feel like it wad Hunter writing a love song about Jerry's love and affection for heroin. I had neglected a long time love by refusing to make plans for the future when we were in our early to mid 20s. I'll be fascinated to read any further thoughts on how those quotes fit, though. That's what she said to me Been talking alot about less and less and forgetting the love we bring. And my divine Althea brings ", The WELL's Deadlit conference topic number 102 is about "Althea.". Perhaps because it is so obvious, but it reflects the complexity you reference here. His speech ends with the "there are more things in heaven and earth that are dreamt of in your philosophy." It wasn't much longer after that shift in outlook for me that my "Althea" and I reconnected and eventually married and have three children now having been together for 22 years minus those two years spent putting it all in perspective. The hurt gets worse and the heart gets harder" The sweetness, Mercy, Majesty, Years later Meleager held a hunt to kill a boar which was terrorizing the village. That was an intense brand of fun though, right? In later years the jam out at the end was nice however I always liked the jam in the middle better. Enlargèd Winds, that curl the Flood, One time on the Cosby Show Bills younger daughter brings over a new friend named Althea. I always thought that "the clown in the burying ground" refered to Yorick in Hamlet. Come on Along or Go Alone..." The outlines of the story, told through a back-and-forth dialogue between the singer and Althea, seem a bit elusive, and as always, Hunter doesn’t give everything away by any means. RH: I don't know if it's the anima; I'm not a Jungian. Angels alone that soar above, We’re guilty of the same old thing And forgetting the love we bring. Loose with the truth Otherwise what would that line refer to (the "you're gonna want a. We're guilty of the same old thing- Another potential source of inspiration for Hunter may have come from poet Richard Lovelace’s 1649 poem, “To Althea From Prison.”, Hunter’s characteristically ambiguous inclusions, Althea by Winston Marshall, Kodiak Blue & Shura, Althea (Live at Nassau Coliseum, May 15-16, 1980) by Grateful Dead. So, give us more on the many performances and versions of the songs. Here is Lovelace's poem, "To Althea from Prison" (1649): When flowing Cups run swiftly round With no allaying Thames, Our carelesse heads with Roses bound, Our hearts with Loyall Flames; When thirsty griefe in Wine we steepe, When Healths and draughts go free, Fishes that tipple in the Deepe, Know no such Libertie. (I’ll consider requests for particular songs—just private message me! "It may be the fate of Ophelia, Sleeping and perchance to dream...". I recall that my research turned up a connection between "Althea" and "Rose of Sharon." I am at a loss ! With Grateful Dead lyrics, there’s always a new and different take on what they bring up for each listener, it seems. If the song was a message to Garcia from Hunter, then his playing it right up to the end was some kind of brave acknowledgement of the relevance of the lyrics. Is "You're gonna want a bed to lay your head and a little sympathy". Settle back easy Jim Analysis of Althea. There is something there for me playing these songs that just takes me to where I want to be. Instead, I would offer it is exactly as you discuss: Hunter suggests that the madness of love is interchangeable. Was tearing me limb from limb This story is true. We've got some things to talk about That is, a place where we can all hop on, sometimes goaded by me or infuriated by whatever I said (or DIDN'T say). And others you cannot This can be painful and is maybe why he wants to pull away from her, but can't. Thanks again David for another thoughtful essay. JG: Me neither. :D Like on that Mason's Children entry, I've wondered why they switched between two rhythms. Dittos on That David ! Talking a lot about less and less When I was in college there was a brief passage in a history text that somehow referred to the part of 'It Must Have Been the Roses' that said "If I tell another what your own lips told to me/May I lay 'neath the roses and my eyes no longer see." Robert Hunter’s lyrics offer an elusive back-and-forth dialogue between the singer and Althea and is underscored by Hunter’s characteristically ambiguous inclusions. Fishes that tipple in the Deep We can't expect to grasp this work without examining that line, it seems to me. One may argue that after the first verse, a series of back and forth comes into play. Moving with a pinch of grace I have always liked the Althea played at Cornell on 1981. He is just reiterating that she said it, "When the smoke has cleared she said (that's what she said to me)you're gonna want a bed..." Also feel I should mention another origin of Althea, hopefully I did not miss previous mention of this- Enter Althea Donna would have been a perfect Althea. Talking a lot about less and less... The last line in the second verse appears to be started by one and finished by the other. What I had never particularly noticed before today’s hard look at the lyrics was the extent of Althea’s dialogue portion. One specific that I looked at today supports this: in Verse 2 Althea talks to 'Saturday's child', and a quick check shows that 1 August 1942 (Jerome John Garcia's birth date) was indeed a Saturday. To whisper at the Grates; The Self-Indulgent focus of Melancholy that the storyteller is caught up in and lamenting about is actually the very thing that needs to be let go. Thanks, everyone, for the great discussion of this song. Althea was the mother of Meleager. I think you nailed the general story line, themes and shakespeare of course. "Althea", a Grateful Dead song; Althea, a fictional pulsar from the science-fiction novel The Hercules Text by Jack McDevitt; Althea (1801 ship) was a merchantman launched in 1802 at Calcutta that was wrecked in 1812. Althea in song, story & screen "Althea," beautiful Grateful Dead song. Collection, Dead & When Push Comes to Shove You're Afraid of Love" By submitting my information, I agree to receive personalized updates and marketing messages about Grateful Dead based on my information, interests, activities, website visits and device data and in accordance with the. I was listening to the song “Days of ‘49” today from Dylan’s album Self-Portrait and the phrase is included in that song as well. Some very interesting stuff here. Probably Me Only, but hey... in my world, that's all that counts! Best. I told Althea that treachery I do understand. Anniversary, Dave's She pulls the log from the fire, but casts it onto a fire years later when she learns her son has murdered her brothers, and this kills Meleager.
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